Music Production Live Course – Flagship February 2024
Learn Music Production like a Professional. Start from the basics and go all the way to producing high quality music for your clients.
Music Production Live Course – Flagship February 2024
Learn Music Production like a Professional. Start from the basics and go all the way to producing high quality music for your clients.
What will you Learn
- You will understand Music Theory and How to apply Music Theory
- You will learn Beat Making and Melody Production
- You will understand Song Structure
- You will learn techniques of Audio Recording
- You will start to build your own Music Arrangement
- You will be able to start composing your own Music
- You will have a clear idea on Instrumentation and Orchestration
- You will learn post processing skills like Mixing & Mastering
- You will learn the process to Release your own music
- You shall see multiple project breakdowns and case studies
- You shall get live feedback on your music during Music Labs
- You shall Interact with Clients and eventually work on Paid Projects
Check Course Curriculum [Click Here]
Course Planner
Digital Audio Workstation Software
Early Registration Offer Price
* Prebooking offer closed for this course
Check Course Curriculum [Click Here]
This course includes
- 80 hours Live Training
- Tests & Assignments
- Lifetime Class Recording access
- Paid Client projects
- Completion Certificate
Requirements
- You must own a PC / Mac
- Attending classes on Phone can be difficult
- Any DAW can be used
- Strong Internet connection recommended
Who can Learn
- Beginners
- Intermediates
- Music Enthusiasts
- Musicians
Do you really NEED this course?
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Course Details
This Flagship Music Production course offered by AMS Academy teaches you the whole range of theories, practicals and hands-on trainings required to become an expert in Music Production. There are 40 sections divided into 12 categories filled with theories, practicals and hands-on challenges.
Getting Started
– Mic Setup
– MIDI Keyboard Setup
– Audio Interface Setup
– I/O Setup inside DAW
– Plugin Setup inside DAW
– Acoustic Treatment
– Syncing and backing up of projects online
– Music Terminologies
– Production Terminologies
– Audio Production
– MIDI Production
– How Musical Production has changed over time
– Tools for Music Production
– Generic Song Structure Case Studies
– Mukhada, Antara, Sanchari, Aabhoga
– Prelude, Interlude
– Arrangement Structuring
– Layered Arrangement Processes
Music Theory & Composition
– Scales, Harmony, Chords,
– Octaves, Time Signature
– Tone Frequencies
– Discordants
– Advanced Chords
– Musical Modes
– Identify Scales of different English and Indian songs
– Identify Chords of different English and Indian songs
– Apply chord inversions for better suiting the melody
– Complex Chords
– Complex Time Signatures
Audio Mastery
– Microphones and its types
– Polar Patterns
– Mono vs Stereo Mics
– Choose suitable mic for different situations
– Gain Staging
– Demonstration of Different Micing techniques
– Recording Vocal Audio in DAW
– Recording Instrumental Audio in DAW
– Audio Comping
– Different Techniques for
– Jitter Removal
– Noise Reduction
– Pitch Correction
– Time Warping
– Manual vs Auto Tuning Demonstration
MIDI Mastery
– MIDI introduction
– VSTi Soft Synth Introduction
– MIDI Controller Keyboards and Control Surfaces
– Sample Libraries – Kontakt, Komplete Kontrol
– Quantized Recording
– Layered Recording
– How to use MIDI channels
– Preparing MIDI Multi Sample Instruments
– Understanding different MIDI modes
– Demonstrating MIDI control messages CC
Melody and Beat Production
– Main Melody vs Fillers vs Counter Melody
– Melody based on Chord Progression
– Melody Harmony
– Percussive Melody Production
– Strings Section Melody Production
– Wind Melody Production
– Incremento-Decremento Melody Pair Production
– Obligato Production
– Genre based Beat Styles – KHSH, HipHop, Pop, Blues, Rock
– Beat Styles in 4/4, 2/4, 3/4, 6/8, 7/8
– Beat Variations
– Beat Fills
– Drum Section Production
– 808 Production
Sound Design and Synthesis
– Synthesized vs Sampled Sound
– Sine Wave, Square Wave, Triangle Wave
– Oscillators
– ADSR Filters
– Low Frequency Oscillators
– Detuner, Chorus, Modulation, Phaser
– LFO Binded Filters
– Creating a Lush Pad sound from Scratch
– Creating a Percussive Stab from Scratch
– Creating Filter Automated Pad sound from Scratch
Plugins and Effects
– Types of EQs – Parametric, Graphic
– Which EQ to use in which situation
– Types of Filters – High Pass, Band Pass, Low Pass
– Types of Curves – Bell, Shelf, Cut
– Curves vs Notches
– Disturbing Frequency Identification
– Additive vs Subtractive EQ
– Clarity, Air, Bass
– Static vs Dynamic EQ
– Variation in Gain to create Amplitude based separation
– Manual gain variation
– Gain variation using volume automation curves
– Compressor as a volume adjustment tool
– Gain Staging vs Gain Adjustment
– Post vs Pre Gain Filtration
– Gain in FX channel
– Gain control through Mixer
– Dynamic Range
– Dynamic Range vs Expressive Range
– How compression affects perceived audio quality
– Fundamentals – Knee, Attack, Gain, Release
– Treating different Musical Instrument with Compression
– Over Compression vs Distortion
– Parallel Compression
– Bus Compression
– Understanding Ambience
– Exploring 3rd dimension using Reverb
– Types of Reverb – Hall, Plate, Chamber, Convolution etc
– Some Free Reverb Plugins
– Parallel Reverb vs Dry Wet
– Delay vs Reverb
– Echo vs Delay
– Quantized Delay and Non Quantized Delay
– Stereo vs Mono Delay
– Types of Delay – Ping Pong, Slapback
– Convoluted Delay
– Chorus as a thickener
– Chorus vs Parallel Distortion
– Phaser for pseudo chorusing on stereo field
– Flanger vs Phaser
– Auto Filters
– Manual Filters
Advanced Production Techniques
– How automation helps in production and mixing
– Modes of Automation
– Creative automation curve for Reverb and Delay
– Double Tracking (Manual)
– Artificial Double Tracking
– Stereo Harmonies
– Artificial Harmonies
– Vocal Chops
– Manual Delays and Echos
– Manual Reverb tracks
– Compressed Reverbs and Delays
– Phased Doubles
Mixing and Mastering
– Mixing Fundamentals
– Gain based Mixing
– Frequency based Mixing
– Mixing in Mono
– Mixing Drums, Bass
– Vocal Mix
– Bus Grouping for submixes
– Why we need Spectral Analysis
– Types of Spectrums
– Mixing – Ears vs Eyes / Ears and Eyes
– Gain setup for Master
– Master Bus processing in
– Mixing Session
– Multi Band Compression for Mastering
– Loudness Meters and VU Meters
– Limiters vs Compressors
– Ozone as a Mastering Suite
Song Release
– Music Streaming vs Video
– Streaming platforms
– Comparison of popular platforms – YouTube, Spotify, Saavan
– Theatrical Release Fundamentals
– Mixing and Mastering for Theatrical Release
– Hands On Release Process
Music Labs
– Notes Identification
– Chords Identification
– Scale Identification
– Octave Identification
– Time Signature Identification
– Genre Identification
– Thaats Identification
– Taals Identification
– Aalaap Identification
– Exercises on Music Theory and Ear Training
– Instruments Memory
– Chords Memory
– Other Memory games
– Melody Line Composition
– Progress on an Incomplete Segment
– Other Composition Hands on Works
– Rhythm Identification
– Rhythm building on different Time Signatures
– Creating Pitched Rhythms
– Genre based Rhythm Creation
– Indian Percussions Rhythm Creation
– Audio chopping
– Vocal sample tempo alignment
– Noise reduction
– Vocal pitch correction
– Audio Quantize
– EQ based Tone Shaping
– Resonance Detection
– Removal of unwanted frequencies
– De-essing and Dynamic EQ
– Compression and Volume Automation
– DT Matching of vocal sample
– Prepare Bussing
– Gain Stage for Mixing
– LCR Panning
– EQ the given sample
– Compress the given sample
– Treat Rhythm section using EQ & Compressor
– Treat Strings section using EQ & Compressor
– Send to Reverbs and Delays
– Re-Send Send Busses to further Send Busses
Challenges
Compose, Instrumentalize and Produce a structured song in 40 minutes – Production Challenge
Recreate a song as it is with little to none differences – Complete Production, and Mixing Challenge
Jingle to be made for a given company product – Production, Mix, Master challenge
Build a commercially structured song production. Create Rhythms, Hooks and Melody lines – Production and Mixing challenge.